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  <a href="/news/blog/6824987/2nd-place-winner-in-hazel-dickens-songwriting-contest">2nd Place Winner in Hazel Dickens Songwriting Contest</a>&nbsp;
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<p>The song “Turn and Burn” written by Dave Adkins, David Morris and Dawn Kenney has won 2nd place in the prestigious Hazel Dickens Songwriting Contest.  Check out the live video performance of this song.</p></div>
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    <p class="post-info"><span data-time="2016-03-10T22:00:00-05:00" title="March 10, 2016 22:00">03/10/2016</span></p>

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  <a href="/news/blog/6824988/dave-adkins-head-to-nashville-with-new-album">Dave Adkins Head to Nashville with New Album</a>&nbsp;
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<p>Appearances at WSM’s Coffee, Country, and Cody (including Heartland TV) and a return to the Station Inn </p>
<p>Acclaimed Singer-Songwriter Dave Adkins will kick off his self-titled new Mountain Fever Records album this Friday, February 26 on WSM Radio’s Coffee, Country and Cody show. Fans can tune in to 650 AM WSM, listen online at wsmonline.com or watch live at the Heartland TV Network. Friday evening, Adkins’ returns for his highly anticipated performance at the world famous Station Inn in Nashville. Fans are encouraged to arrive early for the 9:00 p.m. concert. </p>
<p>Known for his high energy live stage performances displaying his powerful vocals, Adkins will then take the show to his home state of Kentucky on Saturday, February 27 to perform at the Lady Lions Bluegrass Show in Vanceburg and later that evening at Simply the Best in Grayson. </p>
<p>Other release concerts include: Thursday, March 3 at the WDVX Radio’s Blue Plate Special at the Knoxville Visitor’s Center in Knoxville, Tenn.; Saturday, March 5 at Dixie Station in Elsmere, Ky.; and Friday, March 18 at the Branch House Theater in Fall Branch, Tenn. </p>
<p>Radio stations have been extremely supportive of the new Dave Adkins album. They are spinning numerous tracks including “Foolosophy” co-written by Larry Cordle and Chris Stapleton, his killer cover of “Sold” originally made famous by John Michael Montgomery, the Adkins’ original and first single release, “Change Her Mind,” and many more from this stellar album. </p>
<p>Fans can expect Adkins and his band to perform all tracks from the album which include: </p>
<p>1. Change Her Mind (2:22) David Ervin Adkins <br>2. Emmaline (2:43) Michael Huffman, Richard Williams, Alan Laney <br>3. Foolosophy (3:03) Larry Cordle, Chris Stapleton <br>4. A Whole Lot More To Tell (2:55) David Ervin Adkins <br>5. Russell Fork River (3:51) David Ervin Adkins, Dawn Kenny, David Morris <br>6. Sold (2:25) Rich Fagan, Rob Royer <br>7. You Don’t Have To Go To Be Gone (2:42) David Ervin Adkins, Paula Breedlove, Brink Brinkman <br>8. It’s Not Over (Til I Get Over You) (3:06) Terry Foust, Ray Edwards, Tom T. Hall <br>9. Turn and Burn (2:46) David Ervin Adkins, Dawn Kenny, David Morris <br>10. Angel Song (4:17) Corey Lee Barker, Chris Laffey <br>11. Wasting Away (2:10) Randall Hylton <br>12. One and Only (2:51) David Ervin Adkins </p>
<p>The Dave Adkins album officially releases this Friday, February 26. Pre-orders are now available at iTunes, Amazon, Google Play, Mountain Fever Records, Dave Adkins’ website and more outlets.</p></div>
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    <p class="post-info"><span data-time="2016-02-24T22:00:00-05:00" title="February 24, 2016 22:00">02/24/2016</span></p>

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  <a href="/news/blog/6824994/eastman-guitars-endorses-singer-songwriter-dave-adkins">Eastman Guitars Endorses Singer-Songwriter Dave Adkins</a>&nbsp;
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  <div class="message"><p><img src="//images.zoogletools.com/u/606592/9087ebd4bc2ed8bbaed8a4176b39b09851d0c50d/original/logo-eastman-trans.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==/b:W10=.png" class="size_l justify_center border_" />Eastman Handcrafted Guitars and Mandolins is proud to announce their endorsement of Singer-Songwriter Dave Adkins. “We are thrilled to welcome Dave Adkins into the Eastman family,” said Artist Relations Manager Tim Finch. “We couldn’t be happier to have him on board and are very excited about his upcoming album release and tour.”</p>
<p>“I have always been a fan of Eastman Guitars and I am thrilled that such a reputable guitar company believes in my music. I look forward to the new album releasing and hitting the road with my new Eastman Guitar,” said Adkins. </p>
<p>In in the coming weeks, Eastman will present Dave with a custom made Eastman E20D Dreadnought guitar. Built with the methods and materials of the “Golden Era” of the 30’s &amp; 40’s Solid Adirondack spruce top, solid rosewood back and sides. The full-bodied tone and room-filling volume will be a perfect fit for Adkins’ powerful live performances at both indoor and outdoor venues.</p>
<p>Mountain Fever Records recently announced the release of the first single, “Change Her Mind” from the self-titled new album by Dave Adkins releasing February 26. The album is now available for pre-order at iTunes, Amazon, DaveAdkinsMusic.com and other sites. In February, Dave sets off on a busy radio tour and will perform at several album release concerts promoting the album’s release. </p>
<p>MORE ABOUT EASTMAN GUITARS <br>When Qian Ni, an accomplished flute player from Beijing, founded Eastman Strings in 1992, he never imagined that over the course of 20 years, the company would grow from a small business operated out of the back of his car into a global music supplier. Committed to a high standard of quality, Eastman Guitars use of premium tone woods and fine appointments, alongside the talent and accomplishment of its designers, craftsmen, and company philosophy continues one of the most fascinating musical traditions the world has known. For more information, please visit www.eastmanguitars.com.</p></div>
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  <a href="/news/blog/6824995/ibma-nomination-for-emerging-artist-of-the-year">IBMA Nomination for Emerging Artist of the Year</a>&nbsp;
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  <div class="message"><p><img src="//images.zoogletools.com/u/606592/7e68af6182400b21cb3e39c03e7a298d36565e6f/original/ibma90711.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.jpg" class="size_m justify_left border_none" alt="" />One of bluegrass music’s favorite new bands, Adkins &amp; Loudermilk, has received an International Bluegrass Music Association Award Nomination as Emerging Artist of the Year. The five piece band, led by Dave Adkins and Edgar Loudermilk, also includes the talents of Glen Crain, Jeff Autry, Zack Autry and Barry Crabtree who have been busy touring the country promoting the Adkins &amp; Loudermilk album released earlier this year on Mountain Fever Records. </p>
<p>“I can’t thank the IBMA members enough for thinking of Edgar and myself when casting their ballots. That means the world to us. We’ve had an incredible time out on the road this year and we are still amazed at positive responses we get at shows from our friends (fans) and the support of radio stations around the world,” said Adkins.</p>
<p><img src="//images.zoogletools.com/u/606592/b2e30f78ccdc517727b34d32845ed3143196630d/original/album-cover-adkins-loudermilk.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.jpg" class="size_m justify_right border_none" alt="" />Radio stations have also been supportive resulting in six tracks from Adkins &amp; Loudermilk appearing on six different radio charts including Bluegrass Today’s Top 20 Weekly &amp; Monthly Charts, SiriusXM’s Most Played Tracks, Roots Music Report’s Top 50 Bluegrass Songs, Cashbox Magazine’s Top 10 Bluegrass Songs, Power Source Magazine’s Top 30 Song charts. The first two single releases, “Backside of Losing” with lead vocals by Adkins and “Georgia Mountain Man,” with Loudermilk taking the reign, continue to climb the Bluegrass Unlimited Magazine’s Top 30 National Bluegrass Survey Chart. </p>
<p>For a complete tour schedule, videos, photos and more information on Adkins &amp; Loudermilk, visit www.adkinsloudermilk.com, like them on Facebook and follow them on Twitter.  In the meantime, check out this live performance video of Adkins &amp; Loudermilk at the 2014 Outer Banks Bluegrass Festival who just received a 2015 IBMA Nomination for Festival/Event of the Year.</p></div>
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    <p class="post-info"><span data-time="2015-09-18T23:00:00-04:00" title="September 18, 2015 23:00">09/18/2015</span></p>

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<h2 class="heading-secondary heading-blog alt-font">
  <a href="/news/blog/6824953/deep-roots-album-review-c1957843-229a-47e4-860e-b969879b521f">Deep Roots Album Review</a>&nbsp;
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  <div class="message"><p><a contents="" data-link-label="" data-link-type="url" href="http://deeprootsmag.org/2013/03/19/roll-on/" target="_blank"><img src="//images.zoogletools.com/u/606592/fde2ec50f69ef0455b1147de37c488e8851243b3/original/daveadinsandrepubliksteele.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.jpg" class="size_m justify_left border_none" alt="" /></a></p>
<p>THAT’S JUST THE WAY I ROLL </p>
<p>Dave Adkins and Republik Steel </p>
<p>Rural Rhythm </p>
<p>Republic Steel was a large coal mining company that employed the fathers and grandfathers of three of the five members of a band calling itself Republik Steel. Coal mining is a hard, dangerous job and the men of the Republik Steel band play music with the seriousness of purpose and the gumption a man needs in order to survive the ordeal of extracting coal from the bowels of the earth. They have to be this good, because they must be up to the task posed by lead vocalist-rhythm guitarist-songwriter Dave Adkins, who emerges on this debut album as one of the most powerful, affecting voices in all of roots music. You don’t have to get seven songs into That’s Just the Way I Roll to figure this out, but that seventh song, an Adkins original titled “Don’t they Know He’s Watching,” a dark, apocalyptic number warning “the rich man in the penthouse or the homeless on the street” of divine retribution for aberrant behavior, will nail you to the wall. In his gritty, muscular voice, Adkins thunders like the Biblical Amos (the Old Testament prophet who “gave prophets a bad name,” according to The Rev. Victor Lee Austin, theologian-in-residence at St. Thomas Episcopal Church in New York City) heralding the wrath of God visiting corrupt politicians, hypocritical clergy (“you can’t be a truthful liar/and you can’t serve to gods/you can’t solve the problem and contribute to the cause…”) and the like. At the end, he brings it all back home, delivering the title sentiment in a wrenching howl, stretching out the word “watching” until his voice almost breaks, and he takes a breath before signing off with a solemn, “you and me-e-e.” Some are going to hear shades of the young Kenny Rogers in Adkins’s voice and sense of drama, but here and elsewhere Adkins, evincing a blues singer’s understanding of the games people play, plumbs depths of a bedeviled soul that Rogers could never get to.</p>
<p>By the time they arrive at “Don’t They Know He’s Watching,” Adkins and Republik Steel are deep into a hard-edged, impassioned bluegrass groove. Sparked by Matthew Cruby’s hard charging banjo, the band comes charging out of the gate with the spirited title track (written by the imposing trio of Terry Herd, Steve Gulley &amp; Tim Stafford; Gulley, by the way, also produced the album; co-wrote, with Stafford, the abovementioned “Don’t They Know He’s Watching”; and penned the album’s closing number, a stunning guitar-and-vocal song of praise and redemption, “The Storm,” that Adkins delivers with fervent but nuanced urgency—this comes under the heading of “embarrassment of riches” for the band). The protagonist here is exactly the sort of wayward soul Adkins cites so caustically in “Don’t They Know He’s Watching,” as we learn immediately when he enters crowing, “on the corner of careless and out of control/what doesn’t kill me is taking its toll…” and, spurred on by Republik Steel’s punishing pace, goes on to sing defiantly of his dissolute lifestyle and kiss off any detractors with “That’s just the way I roll.” If this isn’t a concept album, then it’s close to being one, because the songs are at least loosely connected with respect to painting a portrait of a spiritual wanderer.</p>
<p>The same guy who boasts of his bulletproof hedonism in “That’s Just the Way I Roll” reveals a little more of himself in a stunning cover of “Rose Colored Glasses”—yes, that “Rose Colored Glasses,” the classic, career defining mega-hit that permanently ensconced John Conlee into the ranks of country’s great neo-honky tonk singers in 1978 but is here modeled after a memorable 1979 treatment by J.D. Crowe &amp; the New South, when the late, lamented Keith Whitley was singing lead.  With guest fiddler Justin Moses contributing yet another of his depthless, aching solos behind him, as Don Gulley adds soulful harmonies, and mandolinist Kenny O’Quinn crafts mournful fills, Adkins digs deep to enhance the narrator’s delusional belief that he can rekindle the flame of lost love. Here he gives a glimpse of the prideful, self-centered man of “That’s Just the Way I Roll,” but also modulates his attack with enough solemnity to let us know he’s not entirely oblivious to the truth, even if he can’t admit it. It’s a line Conlee walked majestically in his powerful original, but Adkins and the band’s relatively spare version is a shattering, unforgettable statement on its own merits. Another familiar cover, Dave Loggins’s “Please Come to Boston,” is arguably even more effectively rendered than “Rose Colored Glasses.” Those who found Loggins’s original a bit too syrupy as a pop mainstream item will hear it with new ears when Adkins cries it as a blues-tinged country ballad, softly framed by an evocative acoustic guitar, courtesy Republik Steel’s teenaged wunderkind Wesley Wolf, with O’Quinn’s mandolin and Moses’s dobro quietly augmenting the soundscape as the tune blossoms. It doesn’t hurt, either, to have Dale Ann Bradley seconding Adkins’s voice in the choruses with her own plaintive plea.</p>
<p>Interestingly, the Conlee and Loggins songs bookend a lively Adkins original, “Heartstrings,” a toe-tapping, banjo- and fiddle-drenched celebration of true love and a fruitful relationship, the truth of it evident in the lightness in Adkins’s voice as tells how “my whole world sings” when he’s with the gal of his dreams. The album’s sub-theme of spiritual striving is reflected in another triumvirate of songs, with Mark “Brink” Brinkman’s spirited “Laura Mae,” concerning a man putting his wanderlust to rest by going home to Montana to settle down with his gal (with bright, energetic fiddle and banjo solos by Moses and Cruby underscoring the singer’s resolve), nestled in between Adkins’s “Get ‘Em Up,” an upbeat southern gospel quartet number announcing Christ’s return and the dire warnings of “Don’t They Know He’s Watching.” The album’s penultimate tune, the reflective, moderately paced “Chasin’ a Dream” (a Brinkman co-write with Dale Pyatt), doesn’t fit the conceptual model described here but is a thoughtful and positive mission statement describing a musician’s calling, no matter its everyday obstacles. Then comes the aforementioned Steve Gulley gem, “The Storm,” with only young Wolfe’s subtle, delicately picked acoustic guitar supporting Adkins’s heartfelt expression of gratitude to the Almighty for His guiding hand (“with you leading me I can weather the storm”). It ends not with dramatics but with reverence, a soft musical exhale by Wolfe and Adkins at journey’s end suggesting, at last, a soul at peace with itself. Regardless of whether you buy the idea of this as being akin to a concept album or simply a collection of fine and meaningful songs masterfully realized in all aspects by exceptional musicians that call Kentucky, Virginia and Tennessee home, That’s Just the Way I Roll is an impressive calling card for a band of bluegrass newcomers that values its message as much as it does its musicianship. And that is some way to roll. </p>
<p>Before Deep Roots existed, it was TheBluegrassSpecial.com, from April 2008 through July 2012.</p></div>
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    <p class="post-info"><span data-time="2013-03-19T22:05:00-04:00" title="March 19, 2013 22:05">03/19/2013</span></p>

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